Skip to main content

The Fantastics - "I Wanna Be A Millionaire Hobo" b/w/ "There Goes My Love" 1959

 

 



The Fantastics - "I Wanna Be A Millionaire Hobo" b/w "There Goes My Love" RCA Victor 1959

Today we sample some divine doo-wop from the streets of Brooklyn, New York, by way of The Fantastics. The Fantastics were a short-lived group who released three or four 45s between 1959 and 1961. In 1962, the group lost a member and renamed themselves The Keynoters and released one more 45 that same year on Keynote Records before dissolving permanently. Most of the members of the group appear to have faded into obscurity afterwards, with the exception of their first tenor, Sam Strain, who would go on to perform with Little Anthony & The Imperials as well as The O'Jays.

This particular 45 is their first, and it's a good one. The A-side has that delightful humor-laced good time rock 'n' roll sound that makes groups like The Coasters and The Cadillacs so timelessly endearing. It has the right amount of that tongue-in-cheek, smart ass repartee that makes a song fun, expressed in good humor, without crossing over into punk snideness. The flip side is a standard doo-wop ballad, fairly typical of the genre. I don't present that as a pejorative, because it's a great cool down tune after the romp on the A-side.

Comments

Popular posts from this blog

The Schooners "Viddly Biddly Baby" b/w "Schooners Blues"

 The Schooners "Viddly Biddly Baby" b/w "Schooners Blues" Ember 1958   This is one hell of a two-sider! Right out of the gate we get a barn busting rock and roll tornado with foot stompin' beat, a bleating saxophone and a great nonsensical call and response vocal like Bill Haley on stimulants! Then we turn this little black disc over and we get a cool-as-hell noir jazz number that sounds like it could have played over the titles of an early Roger Corman creature feature, or as the roadhouse juke box tune from any 1950s crime thriller. Picture if you will, Beverly Garland and Marie Windsor going about their business in some nondescript, small desert town, when suddenly a foam rubber something, larger than life, starts smashing up saloons and flipping over cars! Just imagine Sterling Hayden slowly panning the interior of some roadside dive, scowl on his face, looking for the guy who framed him! I've mentioned my appreciation for label and logo design in prev...

Marauder And The Fury - "Get Loose Mother Goose" b/w "Terminator" Public Records 1987

Marauder And The Fury - "Get Loose Mother Goose" b/w "Terminator" Public Records 1987   The year was 1987! I was six years old and wanted to grow up to be Mr. T. Hip-hop was deeply entrenched in the pop culture; not just here in the United States, but around the globe. It seemed like everyone and their Uncle Craig was dropping a 12" single, warranted or not! Movies featured hip-hop on the soundtracks, or as set pieces, including those fun plot-recap raps over the end credits in films like Maniac Cop 2. Other forms of pop music were utilizing components of hip-hop to shake up their otherwise formulaic song structures (T'Pau or New Kids On The Block anyone?).  We're still a handful of years away from gangsta rap being hyper marketed by record companies and MTV as the dominant version of the art form, pushing creativity and intellect to the back burner while bored suburban white kids decide to start sagging their pants and wear colors because Snoop Dogg ...